Wednesday, 16 May 2018

[REVIEW] The Arwich Grinder

The Arwich Grinder (2014)
by Daniel J. Bishop
Published in Crawl! #9 by Straycouches Press
0-level funnel

Something has gone terribly wrong up in them hills where the Curwen family has lived in their homestead for several generations, and young Bessie Curwen’s bonnet has been found in the possession of an odd beast that lumbers into the village inn and drops dead before the assembled patrons. The reclusive and tight-knit Curwens had saved the village from starvation two winters ago, so it’s time to return the favour. A group of brave volunteers is assembled to venture up into the dark woods and see what’s up at the Curwens’ lucrative pig farm.

To everybody’s surprise, it wasn’t pig after all.

Warning: cover spoils module theme and final encounter

This funnel adventure – filling a full issue of Crawl! fanzine – is a gruesome one-shot combining Lovecraftian themes with a hilarious amount of gore. There are no surprises as far as the module’s themes are concerned – yup, the backwoods rustics are up to no good, and they are right in the middle of doing something really bad when the adventurers show up. However, as something you get into with full foreknowledge of walking into the jaws of a deadly trap, it is remarkably well made. Perhaps the horror does not lie in the familiar (and by now almost cozy) horror trappings, but in the vulnerability and disposability of 0-level characters. When you are at three hit points, the axe maniac coming at you suddenly takes on a more grave than usual significance.

This is something The Arwich Grinder shines at. Low-level D&D’s lethality makes it hard to design for, since an unlucky hit can kill a character, and a few unlucky hits can decimate a party and either stop their progress outright or trap them in hostile territory. However, if you softball it, you kind of lose the excitement of rolling that d20. This module is somewhere in that middle spot, even if a few of the encounters end up under-statted (including the bad guys right at the end).

Something else that works well here is the way the scenario builds towards its conclusion. It is not a railroad, and you can actually get around the Curwens’ place in multiple different ways, but any way you go, you will start from smaller hints of something being dreadfully wrong to very obvious signs of something, indeed, being gosh-darned wrong. There is a clear element of progression from the family homestead (exploration-oriented, few encounters, not terribly dangerous as long as you don’t disregard obvious hints) through the Curwens’ underground tunnels (a combination of exploration and action, multiple instances of combat and traps) to even deeper caverns (where things turn nasty). This is what makes the scenario nicely Lovecraftian. You know you are getting into something bad, and lo, you are getting into something bad. There are big, dark things lurking under the earth. Old families conceal terrible secrets. If you look too closely at things, you might find more than you’d bargained for. Never trust people of inferior racial stock. That’s Lovecraft. The rest is equally good, including one of the best GM takedowns of meta-gaming players, a few suitably dark magic items, and the Curwens, who are fun to take down, and have a few tricks up their sleeves.

The encounters are short and essential. The entire module is well-written, and fits the 27-area farmstead and 15-area dungeon into a 24-page booklet (set in a generous font size). It is right at the level where bits of descriptive detail carry the tone, without suffering from under- or overwriting. The illustrations are cool (and the cover is great great GREAT, one of the best I have seen in recent years). This is a good adventure.

The module credits its playtesters.

Rating: **** / *****

Wednesday, 9 May 2018

[MODULE] The Barbarian King

The Barbarian King

I am happy to announce the publication of the revised edition of The Barbarian King. A 20-page adventure module for 4th to 6th level player characters, The Barbarian King pits the company against the ruined empire of the mountain barbarians... and the evil that still slumbers therein! This gloomy wilderness and dungeon scenario features deals with malevolent and ultra-powerful spirits, the burial places of a now defeated people, shadowy hosts and deadly traps. As the introduction goes:

Beyond the border city of Velft where the legion of General José Antonio Balazán upholds the law, the great eastern trading route leaves civilisation. After the ploughed fields of the townlands and the small villages and guard towers of the valleys stand endless mountain ranges, cold and unforgiving.

These harsh wastelands were once the domain of the Barbarian King, whose men bowed before animalistic spirits and fought with weapons of brass. In their raids, they showed no mercy: not consent with pillaging, they took their victims as slaves or killed them when they could. So it was until the death of the king, after which men in mail came from the plains, and as their foes once, they had no pity for those they met.

Today, there is a fortress city named Castle Evening on the lands where the barbarians had roamed, and barges plow their once holy lake. The initial conquerors, the knighthoods of Alliria and Mitra, were eventually defeated by the fanatical inquisitor-priests of Talorn; shamefully exiled from the land of their hard-won victories. The abundant mines and rich pastures have since transformed the wilderness into something else, a place of order and watchful sentries. Yet beyond the lands of the settlers, the mountains are silent as they had always been. And it is said, in a valley haunted by the shades of the barbarian warriors, there stands yet the burial place of that last warlord: the Barbarian King.

First published in 2002 as a standalone mini-module and in 2011 in an expanded version in Fight On! magazine, The Barbarian King has seen quite a lot of play in those sixteen years (and held up rather well at the table). It has been disassembled, reassembled, bootlegged on the DM’s Guild (no kidding) and put back together again. This edition has been re-edited for easy use, and includes illustrations by Matthew Ray (who also did the cover art), Stefan Poag and Denis McCarthy.

The Barbarian King is available from the new SHOP. (The reason for the switch was to allow people to buy more than one products at once, which is harder with Paypal buttons. Bigcartel has been used by other zine creators, and seems to be a good platform.)

Please note that your print order also makes you eligible for free PDF copies of your ordered items when they become available (should be a few months after the print edition). PDFs will be delivered via RPGNow to your regular e-mail address, unless you request otherwise.


In other news: Echoes From Fomalhaut #01 is now available in PDF from RPGNow! This edition also includes a map pack for home printing.
Echoes #02 is now almost fully written, and undergoing proofreading. With art orders and my day job taken into account, it has a good chance to come out mid-June. Remember the map from Issue #01? There will be a double-sided one in this one!

Until then…

Fight On!

Tuesday, 8 May 2018

[REVIEW] Masks of Lankhmar

Masks of Lankhmar (2015)
by Michael Curtis
Published by Goodman Games
1st level

Warning: Severe ending spoilers
Heists are hard to capture in the form of a D&D module. A party of adventurers is usually not well equipped with the skills to pull off a smooth, silent burglary; someone is inevitably too loud, too clumsy, or there are just too many people in the way. City-based heists also have many variables which can lead to unpredictable cascading events, or branch off in ways you can’t fully cover in the scenario without making it bloated and unmanageable. In play, this calls for a loose interpretation of the rules; and in writing, compromises between text and suggestion, written module and improvisation. When D&D thievery works, it is exhilarating, fun, and full of unlikely victories and dramatic reversals.

Masks of Lankhmar, introductory module to Goodman Games’ yet-unpublished Lankhmar supplement, errs on the side of being a sweet slice of nothing. There is a superb plot in the background that’d make for a hell of a Leiber story: it has intrigue, dark irony, urban gloom and a hokey ending that’s completely Leiberesque, but there is not much of an adventure inside it. It evokes something from what makes Lankhmar so fascinating, but it is limited as an RPG scenario.

A Map Illustrating
the Problem
Briefly, Masks follows the fate of a long-gone religious order who have left behind a bunch of valuable masks… and the characters stumble on their trail in a heist gone bad. Thus, the module is divided into an in medias res beginning (an interrupted burglary in the mansion of a rich magnate), an intermission for information gathering, the recovery of the masks in the order’s now crumbling (but hardly vacant) temple, and finally the denouement. It is mostly a railroad in the segments covered in detail. There are branches here and there in how the players can get through a problem (such as escaping the magnate’s manor), but the action usually takes place in small physical locales where you either can’t go anywhere but forward, or you can go places but only forward matters (since the scenario doesn’t cover the other places). There are no side areas, no alternate approaches, no unlikely discoveries, and the progression of events is mostly preordained. The beginning heist is a linear sequence of five encounters taking place in three small rooms, followed by an escape with three alternative paths through a not much larger location. The main adventure area is a complex place, but only one encounter (to get through all the complex scenery which barely plays a role), followed by seven sequential encounters on the Adventure Express.

Masks of Lankhmar, ironically, becomes the most interesting in the areas it does not try to cover. Following the trail of the initial clues can be fun and open-ended if the GM drags it out a little, and the multiple ending possibilities tie up the heist in ways that establish the characters’ standing with different city factions, and lead to interesting new adventures. There are proper consequences to the players’ actions! It also shows evidence of imagination in the rooms and situations it sets up. Golden masks glittering through the funereal shrouds of the dead. A posh party thrown by an upstart who wants to get into high society. The Thieves’ Guild trailing the characters. A slum tenement filled with the dregs of society. Lankhmar’s soot and filth, glamour and decadence are all on display, and some of the encounters are pretty good – although in a severely lacking structure which inhibits the players in properly interacting with them.

The module serves its purpose of getting the characters together (in Lankhmar RPG terms, this is called “the Meet”) and launching a campaign. On the other hand, it is small and very limited in scope, while simultaneously feeling overwritten, with the boxed text and background information overwhelming the action. I don’t usually review production values (life and experience have left me bitter and cynical in this regard), but this booklet’s layout bothered me. Nothing wrong with the two-column solution, but leaving in orphans and stat blocks which necessitate page flipping is lazy, especially for a pro publisher.

I vacillated on Masks of Lankhmar’s rating, and gave it three stars on the strength of its imagery, and its evocation of mood. However, taken on its own – pure gameplay – it is severely lacking. Decision-making is superficial, player agency is mostly illusory. Of course, not every module has to have the same level of player agency, but this felt unnecessarily stifling. The same general storyline could be reconstructed as a much more open adventure, and re-written as a more efficient yet equally expressive piece of writing. There is a philosophy which suggests intro adventures should be small and unassuming, while explaining everything to the GM in detail. Personally, I’d rather see the exact opposite: intro adventures which offer GM advice economically, and offer the full, complex game experience in a newbie-friendly package.

The adventure credits its playtesters, and it had been through play on three conventions.

Rating: *** / *****

Tuesday, 1 May 2018

[NEWS] The Barbarian King (revised edition) / Echoes From Fomalhaut #02

Cover art by Matthew Ray
I am happy to announce the forthcoming publication of the revised edition of The Barbarian King. A 20-page adventure module for 4th to 6th level player characters, The Barbarian King pits the company against the ruined empire of the mountain barbarians... and the evil that still slumbers therein! This gloomy wilderness and dungeon scenario features deals with malevolent and ultra-powerful spirits, the burial places of a now defeated people, shadowy hosts and deadly traps. 

First published in 2002 as a standalone mini-module and in 2011 in an expanded version in Fight On! magazine, The Barbarian King has seen quite a lot of play in those sixteen years (and held up rather well at the table). This edition has been re-edited for easy use, and includes illustrations by Matthew Ray (who also did the cover art seen to the left), Stefan Poag and Denis McCarthy. It will be available in print in May, and in PDF with a few months’ delay, at a price of $6 plus shipping. 

Echoes From Fomalhaut #02 is now almost fully written, and undergoing proofreading (you should see how many tiny errors I catch before releasing something still riddled with a whole lot of tiny errors). With art orders taken into account, it has a good chance to come out mid-June. Remember the map from Issue #01? There will be a double-sided one in this one!

City State of the Invincible Typographical Error

Friday, 27 April 2018

[BLOG] The Rustic Monster Hunter Campaign (Concept)

Your bog standard podunk fantasy barony is menaced by monsters. The goblins are stealing the chickens, the werewolves are eyeing the chicks, you can’t go visit Uncle Rufus in the graveyard over the hill without him repaying the visit, orcs are plundering the merchant caravans, and there are rumours of a doom of wyverns nesting in the Raewynskill (the big dark forest to the north, a ways away). Heroes are needed to save the day! Unfortunately, the heroes are all busy saving the day for more important people, or they are just doing their stuff somewhere else. What you get instead are mercenary monster hunters. So the villagers/townsfolk grit their teeth, pool their money, and establish a common fund to finance monster hunting. Good luck, the campaign is on.

This is a low level campaign framework inspired by a discussion on LFG.HU (link in Hungarian), David Pignedoli’s Black Dogs fanzine (also about a monster hunting company, but more gritty and mediaeval), the DCC funnel, my old domain management campaigns, and of course the wilderness clearing concepts from various versions of D&D. It is basically low-level D&D where you grow a character pool instead of one or two main PCs. Here is how it works.

The GM creates a small wilderness sandbox, and seeds it very liberally with monsters and small adventure sites. Go over the top with low-level monsters, they should be lurking behind every tree. You could use any generic fantasy setting to run the campaign. Perhaps it even needs to be utterly generic, you just need a home base village (or small town), and a bunch of interesting terrain and landmarks around it. Something like 4e’s Nentir Vale would do – why not? (Or you can use The Stoneheart Valley, the classic Necromancer Games wilderness romp. Or you can easily make your own.) Then, monster lairs – the kind of not terribly ambitious mini-dungeons you can find on the net by the dozens, or just make up on your own. Be generous. Keep it deadly for low-level groups.

The Nentir Vale
The big limitation is on the character side. This is a low-scale campaign. Not even E6-style. You will each be playing low-level fighters rolled with the 3d6 in order method, or more like a growing roster of them. Every player starts with one 1st level guy (or gal – the villagers don’t really care) down on his luck, and these guys can band together to go on expeditions to claim bounties posted on the tavern wall, or announced by the town crier. Your first character – and replacements – are free. You must hire the rest out of the gp budget you raise by killing monsters, and you must also pay to train up your guys to higher levels. It is a bit like a pyramid scheme for adventurers. Adventures take place on a weekly basis, the rest being spent carousing, wooing lasses, making a fool of yourself and getting into local trouble.

For example: Claude, Jehan and Karl go on an expedition against the orcs. They plunder a small tower which is an advance orc outpost, but they are beset by giant spiders in the cellar, and Karl goes down, stone cold dead. However, the other two survive, and now they have enough money to pay for a month’s upkeep and hire a few more first-level guys to go out with. Next week, Player A keeps Claude, and hires Sarah and Fred. Player B makes Jehan stay at home (he has good stats, and he’d rather not lose them) while he hires Lefty, Hank and Little Tim. Player C is stuck with a new entry-level guy he names Bullfrog Bill. They head out for the orcish keep.

Finally, a use for all those maps
Remember, it is the bounties that matter. If you just kill something randomly, the villagers may or may not care (you could give it a 1:6 probability of a halved “pity fee”). Everyone is interested in The Orc Problem, and The Giant Rats Down the Cellar (you thought you would be rid of them by now? Think again!), while the Raewynskill wyverns and Sir Otto’s Undead Keep are probably distant concerns, for now (as long as the wyverns only carry off the odd cow, and not the mayor’s niece).

You are not running real adventurers, more like a growing band of disposable miscreants. Beyond the funds for training, you need to keep up a number of troops to support higher-level characters. You first have to raise a stable of ten mercenaries before you can promote one to second level status, and at least 50 to raise an elite leader (4th level, this could be a party-based limit). Perhaps you can only have one of those guys. Perhaps special classes (in this case, non-fighters) are also available, but proportionally more expensive. You need twice as much for a ranger or a thief, and three times as much for a cleric (magic-users are all NPCs in this campaign… although you could persuade one to join your team on a special errand). You need to keep the mercenary ecosystem going or your guys will just pack up and look for trouble elsewhere in the kingdom, or marry the innkeeper’s daughter and settle down.

Another fine map by Mike Schley
Gradually, you work your way up to try larger targets with a whole bunch of disposable mercenaries led by your precious few 2nd and 3rd level guys (who are almost heroes by now). There can be all kinds of complications: a bunch of do-gooders show up to ruin your business by killing monsters for free. A sinister merchant offers to rent some monsters which are trained to run away for you and let you triumph easily… for a small price. There is a fair and you can use those jousting rules from Chainmail. Some of the monsters finally have enough and band together to protect themselves from The Mercenary Problem. The local landlord decides that what the villagers do with their money is their business, but treasures found in his lands should be subject to proper taxation. And so on.

You could actually also use this structure to play out a peasant uprising, except with the bourgeoisie corrupt landlords and evil barons instead of the monsters, Robin Hood and company style.

Tuesday, 17 April 2018

[REVIEW] The Red Prophet Rises

The Red Prophet Rises (2018)
by Aaron Fairbrook (Malrex) and Prince of Nothing
Published by The Merciless Merchants
3rd to 5th level

The Red Prophet Rises
There are probably more good sword&sorcery rulesets than there are good sword&sorcery adventure modules. You can try it yourself, and the list in the left column will be longer than the one in the right. After a lot of hullaballoo about D&D’s pulp fantasy roots, and the importance of reading the “Appendix N” books to truly understand where Gary and friends were coming from, we still get more lip service in this area than the actual good stuff. S&S-style modules either miss something essential from the genre ingredients (most of them are just regular ol’ D&D with a thin S&S veneer), or – almost as often – they work better as stories than complex, open-ended game scenarios. It is a sad state of affairs. This review is about an exception.

The big thing about The Red Prophet Rises is that it does three things very well. It taps into the earnest violence of the genre, it presents an interesting situation offering a variety of in-game approaches in a complex, dynamic environment, and it is written in a way that combines functionality with flavour (proving once and for all that the two can be reconciled). Here is why it is great.

This is a module that takes one of the things sword&sorcery is famous for – unflinching brutality in barren, hostile natural environments – and sticks to its theme with both talent and consistency. Now, this is not “all” S&S is about, but it is S&S at its most recognisable – Frazetta, Brom, Conan (the movie version), buff people in S&M gear with horned helmets, butchery and raw violence. The module is set in a series of canyons in the middle of a rocky wasteland, as well as a series of caverns off to the sides. This unpleasant place is currently inhabited by a crazed cult of plainsmen engaged in a frenzy of killing, feasting and drugged orgies, awaiting the opening of their new paradise foretold by Khazra, their new prophet. It is the good stuff, and where the D&Disms creep in, they are handled in a way that doesn’t diminish the vision of this bloody spectacle.

There is a visceral quality to the writing which creates a great sense of place. You can smell the fires and smoke, hear the nomads carousing as they gorge themselves on charred rabbit by their fire pits, hear the brutal overseers bellow with whips in their hands, and feel the chaos as livestock runs wild among the plainsmen. There is blood, dust, an arena of death with a great throne above it, something called The Pit of Despair (hell yes!), a temple of blood, and living quarters carved into the rocks.  There is something feverish about the bacchanalian festivities in this wasteland hellhole, part the drugged orgy of the snake-cult from Conan the Barbarian, part the raiders from Mad Max 2 (Khazra and his underlings are basically Lord Humungus and his psycho bikers). This kind of thing hasn’t really been done before in old-school D&D modules.

Best of all, The Red Prophet Rises is an actually well-designed adventure scenario. The canyons and the surrounding caverns serve as a complex, dynamic environment which operates under its own logic and rules. As a dungeon (it is a dungeon kind of the same way Steading of the Hill Giant Chief is a dungeon), it is a dangerous cul-de-sac where it is much easier to get in than to get out, not to mention it is packed to the gills with frenzied marauders out for blood, run by two distracted but fairly wily leaders. However, it is also a sufficiently chaotic and busy place that a party of adventurers can come up with any number of plans to infiltrate it and accomplish whatever they came for (by default, the module was written for a paladin to find his special mount). There are great opportunities for strategy, underpinned by a fairly simple, yet reasonably believable timetable to determine what the cultists are doing any specific time of the day, robust encounter tables to complicate things (lots of hidden agendas and odd personalities in this camp of misfits), and notes on tactics to determine the inhabitants’ reactions when the party inevitably mess up.

The care also shows in the encounter design. Most locations on the key have their own, small-scale encounter dynamic or conflict going on, which can impact the way the scenario unfolds in multiple ways. There are hard decisions, surprises that call for quick thinking and improvisation, and there are also opportunities to seize, allies to find and hidden enmities to exploit. Getting into parts of the canyon system through social engineering, stealth, disguise, or a (potentially suicidal, although surely awesome) frontal assault can be a challenge by itself. The design really rewards groups who can think on their feet and move with the flow – there may even be ways to keep the action moving if the party’s cover is blown and they find themselves surrounded by a small army of armed killers. There is also good exploration, which puts the focus on being observant and imaginative rather than repeating rote dungeon routines (this is also the case for finding the magic items, which are almost all interesting new items with non-standard capabilities).

There is a second level to the module, in the same way In Search of Unknown has a second level – of course it does, but you tend to gloss over it because while it is not bad, it is superfluous. It does not really add to the experience, and it might even distract from the brutal revelry of the barbarian camp one level higher. The infiltration of an unholy yet living place gives way to more straightforward dungeon fare in a mostly abandoned environment, one that is altogether more in the vein of high-level D&D than the grim chaos of the canyon encampment. There is less to do, there are fewer ways to do it, and it is fairly disconnected from the things going up above ground (even in the physical sense). Finally, this dungeon level ends up revealing some of the mysteries behind the canyon and its holy site, and as it so often happens, we are better off not knowing – something raw and powerful is lost once things are made too literal, and we have an explanation instead of a hunch. I would just cut the whole thing (including area 27 on level 1) and reuse it elsewhere – it would work as a standalone mini-dungeon with some fairly cool obsidian-centric monsters and traps.

The Red Prophet Rises features good, effective writing, the kind I would like to see more often in game products. It is economic, and written to help the GM, but it is not a dry, soulless technical text. It is expressive without wasting words, giving you just the right kind of impressions to get the idea. “A brute with arms covered in ritual scars whips and brutalizes a bleeding and injured man kneeling on the ground”, or “The walls of the cavern are decorated with a variety of weapons, shields, and tapestries depicting lurid scenes of sacrifice, murder and war. Red curtains frame a throne of carved stone (…)”. Location information is broken down into a bullet point list, giving you more specific details after establishing the general scene. Helpful tables and side bars contain additional information. The booklet is well-edited; the information you need is placed at your fingertips, or you receive helpful references to help running the game. This is the kind of polish you don’t tend to notice consciously, but it makes a difference at the table. There is a monster cheat sheet.

The Red Prophet Rises is one of the pleasant surprises of the year. It holds up well any way I look at it, and achieves such a high level of overall polish that it sets a good standard to look up to and learn from. Furthermore, it is one of the rare sword&sorcery modules which combines a great understanding of the genre with the considerations of a fantasy RPG. As I argued above, the module does not really need its second level, and I would recommend just omitting it in play. Sure, you’d miss nine pages of fairly good stuff (in the three or lower four star range), but you are left with about 20 or so pages of pitch-perfect material, and that’s the real treasure.

No playtesters have been listed for this publication, but multiple signs point at it having been playtested.

Rating: ***** / *****

Tuesday, 3 April 2018

[REVIEW] City Backdrop: Languard

City Backdrop: Languard (2018)
by Creighton Broadhurst
Published by Raging Swan Press
City supplement

Yes, that's the cover
Languard is one in a long series of system-neutral supplements released by Raging Swan Press. The 24-page booklet contains no game statistics except NPC alignment and class and level designations, but the content is obviously meant for use with D&D and its various offshoots – the main audience seems to be 5th edition players.

Here is a coastal city with its aristocracy, merchants, gates and wharves; realistic in tone with many shades of grey. It is right there in the middle between idealised fantasy feudalism and the grim urban hellholes where you will get mugged going out for a beer, twice. The streets are muddy and the city’s enemies are displayed on the parapets of Traitor’s Gate, but it is not a bad place to visit. The feeling is distinctly North European (most everyone has a Finnish name), with maybe a little bit of London thrown in. It is fairly lawful and organised, except for the Shambles, the run-down part where the poor live; the Fishshambles, which is the same but on the waterfront, and the Wrecks, a maze of rotting boats moored along the river, which has its own pariah group, the slightly fishy Takolen.

The guidebook first describes the city in the general, then location by location. It is potentially useful information – you learn how to get into and out of the city, who are the main power groups and religions, and there are a lot of adventure hooks, rumours and minor event tables along the way. The important locations are summed up across the map on a one-page spread, and there are text boxes throughout the supplement to help you with useful references. There are two maps, one keyed for the GM and one unlabelled for the players.

Languard does not go too deep into the fantastic, although it has its thieves, assassins and evil cults. Depending on what you value in your games, this can make it appealing or uninteresting. It gives you an internally consistent place with its own power dynamics, and the feel of an up-and-coming mercantile city. But it is mostly about the regular things, the society with its power dynamics and stock characters, not the strange edge cases. That is, you can meet your favourite “nondescript men in cloaks” on the waterfront, get in trouble with the Duke’s men, and hear rumours about a haunted building, but it is the kind of fantasy you expect to be there, not the kind that makes you jump. It would be more surprising if there was no murderous cult and Low Market wasn’t a den of thievery. The Duke, he is not the Duke of New York. Likewise, sometimes it feels too much like window dressing and not like material for adventures. Some of the random events are things like the sounds of an argument, or a weary peasant in a crowd carrying a sack over his shoulder. Part of the city experience? Absolutely. Useful for creating adventures? Only if you imbue them with your own meaning.

There are no surprises here, although all the middle-of-the-road stuff is well executed. It is not overwritten, and it serves its purpose. It is perhaps too low-key for its own good. Could Languard be the most True Neutral RPG supplement?

No playtesters have been listed for this publication.

Rating: *** / *****

Sunday, 1 April 2018

[MODULE] New Module Announcement and Preview

Original Module Cover

At long last, under special arrangements from TSR, Inc. and rights owner Lorraine Williams, E.M.D.T., Inc. is proud to present the newest addition to our growing product family: the republication of a “lost” TSR, Inc. module! The legendary, rarely discussed and even more rarely seen Velour Palace of the Disco Emperor™ was produced under license for MoodCon 1980, but after the scandalous events at the venue, and increasingly hostile press coverage about what was going on in Official Advanced Dungeons & Dragons™ tournament games, the module never saw general release. In fact, remaining copies were shortly withdrawn from the TSR, Inc. design room, and they were pulped shortly thereafter. Even collectors thought all copies had been lost forever. They thought wrong.

Lovingly scanned and remastered based on a weather-beaten and rather suspiciously stained copy which had seen much use, and been found in a garage among stacks of vintage “magazines”, Velour Palace of the Disco Emperor™ can be yours at a special introductory price on this very special day.

Velour Palace of the Disco Emperor™ is currently available in two editions:
  • A regular edition featuring a full reprint of the real deal, including the remaining parts of the illustration booklet (see Fig 2). $19.95 + S&H
  • A very special collector’s edition featuring the real deal, a reconstruction of the original centrefold featuring Pam Grier in all her glory, as well as a real ziplock baggie of the special stuff that had delighted gamers, and even “Big Ernesto G” in those halcyon days of yore, all lovingly wrapped in Original Shrinkwrap™ (Original Shrinkwrap™ also available separately at $49.95 a huff). $79.95 + S&H
Fig 2: The Disco Emperor (presumably)

Tuesday, 20 March 2018

[REVIEW] Halls of the Minotaur

DCC #35A: Halls of the Minotaur (2006)
by Harley Stroh
Published by Goodman Games
0-level funnel

Halls of the Minotaur
We knew we were royally fucked one minute into the game, in round one of our first encounter. Two PCs had just gone down in combat, and it was clear we were both outnumbered and outclassed by our enemies. We had miscalculated the odds, and were on a suicide mission right from the first step. One of my characters had a Strength of 3, and another was a hobbit haberdasher with a pair of sharp scissors; our opponents had real weapons, including crossbows, and they were dug in in an ambush among the bushes. Then it happened. In the face of certain death, you might as well give it your best shot, and go all out. We rushed them out of sheer desperation and hacked at them until they went down and we won. Then we won and won again while expecting the worst, usually at terrible costs, but we got better and won some more. And we killed the minotaur.

This combination of overwhelming odds and reckless heroism is the addictive idea Goodman Games had hit on with what would eventually become the DCC “funnel” concept, pitching a handful of zero-level nobodies into the meat grinder and seeing what comes out at the other end: ideally, a few battered heroes, and lots of bloody paste. The play style is one way to achieve an approximation of the low-level D&D experience under 3rd edition rules, and it has been canonised in the DCC RPG as an element of the character creation process. DCC’s power level is a kind of compromise between the 3e and old D&D approach – the characters are fragile, but there are mechanisms and extra abilities to compensate for that weakness, including a post-battle body recovery rule (essentially a saving throw against actually buying the farm). In this review, I am looking at one of the early examples of these “grinder” modules; it was originally made for 3.5, while we played it at a convention DCC game, with six players running three zero-level characters each. The review will also contrast how the module reads vs. how it was run by our GM.

As mentioned above, Halls of the Minotaur pits a bunch of hapless villagers against a marauding minotaur and its underlings. The action begins in a monster-infested forest, before it moves into a dungeon dug into a steep cliff, then a citadel on top of the cliff. Most of the keyed encounters begin as combat encounters – you move into a new area, fight a group of monsters (and if you are careless, deadly reinforcements), then you can check out the local details. Setpiece combats in cool locations – at a forest ambush site, before a demonic idol flanked by braziers, on a rope bridge, etc. – serve as the key attraction. The module has an element of infiltration/stealth that can make the combat situations (the preparedness and grouping of enemies) easier or harder, and the PCs will need all the advantages they can wrest from their environment. There is also an element of non-linearity that is almost real and feels real for about half of the adventure, but turns out to be largely illusory (there are a few branches and alternate routes early on, but the true way through most of the place is one way only, and the rest are blocked off by increasingly contrived ways).

As a typical feature of the early DCC modules, the room descriptions often give you the kind of wacky, imaginative room ideas you’d get in the Fighting Fantasy gamebooks – say, a dragon’s head rising out of an underground river, or a throne room concealing a deadly ambush, or fighting your way through the dungeon to emerge in a castle on top of the cliff – but they are somehow never actually as wild and out there when you interact with them. Likewise, the environment has layers of history and some really decent visuals, but again, it doesn’t amount to much, since it is a series of kobold battles in a fancier than average dungeon environment.

Or is it? This was an adventure that had gained a lot in the telling. Around the table – and remember, this was a casual convention pickup game – it felt real. Fairly standard areas took on a character they didn’t have in the text I read later. The desperation of the action – whose unfairness had turned us into crafty, vicious little opportunists – imbued the game with authenticity and a sense of working against time. Little touches to make the environment more mysterious – like turning some fairly standard kobolds into strange beastmen, or refining  standard encounters into indecipherable enigmas – gave it a touch of fantasy that had gone beyond the standard D&D playbook. That is to say, a good GM can do much with the material even with a fairly light touch; but also, this is a module with more untapped potential than it seems to have on first sight. It really did play better than it reads – had I come across it when I was still trying to find gems in DCC’s 3.5 module library in vain, I might not have seen the gem in the rough.

Which is not to say Halls of the Minotaur is a great module. It is a decentish one with typical design issues of its time and publisher. It always feels like the encounters are overwritten – much boxed text and followup writing are expended to say relatively little (developments in the old-school scene since 2006 have been massive in this respect). The 3.5 stat blocks are cumbersome, using mechanically complex methods to express interesting, but relatively simple ideas. I have already mentioned the other stuff. It is 12-16 decent pages lurking in a 32-page package (although with a Doug Kovacs cover and great illustrations by Stefan Poag). However, if you don’t mind giving it a thorough read and some thought to adapt it for yourself, the good stuff is more than enough to carry a fun, action-packed adventure.

The module credits its playtesters.

Rating: *** / *****

Saturday, 10 March 2018

[ZINE] Echoes From Fomalhaut #01 (NOW AVAILABLE!)

Beware the Beekeeper!

I am proud to announce the publication of the first issue of Echoes From Fomalhaut, my old-school fanzine. After a long time on the drawing board, the print version is available from the Shop.

Echoes From Fomalhaut is an old-school RPG zine focused on adventures and game-relevant, GM-friendly campaign materials. Each issue is planned to feature a larger adventure module, accompanied by shorter scenarios, city states, and other things useful and interesting in a campaign. Rules-related material will be limited to a few pieces of interest. A long time ago, Judges Guild’s campaign instalments established the general idea, and that’s the road I intend to follow. A small city-state? An interesting wilderness area? An island ruled by a society of assassins? Guidelines for magical pools? That kind of stuff.

The philosophy of the zine is to follow the “Creativity aid, not creativity replacement” motto, and to treat its materials as departure points – to inspire GMs without restraining them by spelling out every mystery and filling in every blank.

The content will feature both vanilla and weird fantasy, mostly drawn from our home games, with occasional contributions by guest authors from the Hungarian old-school scene. Most of the articles will follow AD&D (well, OSRIC) conventions, but remain compatible with most OSR systems – and there will be detours.

An average issue is expected to run 32-40 pages plus the cover. The print edition, produced in the A5 format, is set to ship with larger extras like fold-out maps or what have you; the PDF edition will include these as downloadables.


I have always wanted to publish homemade game materials, an idea that has grown on me ever since I fell in love with the rough charm of Judge Guild instalments. I released my first PDF adventure in 2001, and the first printed one in 2003 (through my E.M.D.T. – First Hungarian d20 Society label – the first issue of Echoes is E.M.D.T. 46). Over the years, I have mostly stuck to free PDF releases and community fanzines (with the occasional detour, like the Helvéczia boxed set), but something has always been missing. This is an opportunity to fix that. Finally.

The print edition is now available for order. A PDF/POD version will be published through RPGNow with a delay of a few months.

How much?
A print issue sells for $8.00 plus priority shipping ($3.5 to Europe, $4 to the US and worldwide). The price for the PDF edition is expected to be set around $5. POD is still TBD. All buyers of the print edition will receive a free copy of the PDF edition at the date of its publication.

This is slightly above the average in zine pricing (I did an Excel comparison of 39 OSR and indie zines, and they come out at $11.44 for print/worldwide), but gives you some 14,800 words worth of content per issue (not including the OGL and front/end matter), pays for the commissioned artwork, and Hungary’s prestigiously large tax wedge. I will also spend the proceeds on future publishing projects.

What else?

Since set up a sole proprietorship to make this thing work, I am planning to republish some of my older adventure modules with new artwork in a reader-friendly format. The first such module is planned to become available in May, to be followed by Echoes From Fomalhaut #02 in early Summer. In due time, once I have tested out how publishing works, I would also like to try my hands at a few larger projects. But first things first...

Assembling Installments

[ZINE] Shop

The Barbarian King

The Barbarian King
A 20-page adventure module for 4th to 6th level player characters, The Barbarian King pits the company against the ruined empire of the mountain barbarians... and the evil that still slumbers therein! This gloomy wilderness and dungeon scenario features deals with malevolent and ultra-powerful spirits, the burial places of a now defeated people, shadowy hosts and deadly traps. 

First published in 2002 as a standalone mini-module and in 2011 in an expanded version in Fight On! magazine, The Barbarian King has seen quite a lot of play in those sixteen years (and held up rather well at the table). It has been disassembled, reassembled, bootlegged on the DM’s Guild (no kidding) and put back together again. This edition has been re-edited for easy use, and includes illustrations by Matthew Ray (who also did the cover art), Stefan Poag and Denis McCarthy.

Bryce Lynch (2011 version): "This is a decent adventure; I was pretty happy with it."

Echoes From Fomalhaut #01: Beware the Beekeeper!

Beware the Beekeeper!
A 40-page fanzine featuring adventures and GM-friendly campaign materials for Advanced old-school RPG rules, with artwork by Denis McCarthy, Stefan Poag, and past masters. This issue contains...
Bazaar of the Bizarre: a 1d100 table to generate strange merchants, with caravan guidelines.
The Rules of the Game: sets out the conventions followed in the zine.
The Singing Caverns: a two-level cavern system with 49 keyed areas, inhabited by orcs, bandits, and the mysteries of a bygone age.
Philtres & Dusts: a sampler of magical potions and dusts.
Red Mound: a mysterious adventure location found in the wastelands.
Morale & Men: a simple, fun set of follower and morale rules, written by two guest-authors.
The Mysterious Manor: the dilapidated manor house of an extinct noble family, now with new occupants... or is there more to it? 23 keyed areas.
Also... an unkeyed city map! (extra fold-out supplement)

  • Steve C, Google+"This is a great example of what I love about RPG zines and the DIY OSR community: creator-written and published gaming material with a unique flavor and feel to it."
  • Pookie, Rlyeh Reviews: "In setting out to offer ‘good vanilla’, that is, standard fantasy, but with a heart, the issue has certainly achieved that. (...) Echoes From Fomalhaut #01: Beware the Beekeeper! is an assured first issue whose teething problems will be easy to overcome for the second issue."
  • Vorpal Mace: "Don't let the small size fool you: this baby is jam-packed with actually useful articles."
  • Ynas Midgard: "Gábor aims for "good vanilla", and it is indeed some very sweet vanilla."
  • Bryce Lynch: "Terse writing, interesting encounters and a good map all combine to create a delightful little complex to explore … reminding me more than a bit of Thracia. Could there be a higher compliment?"
Yes, there is a downloadable sample!

You can buy these items at my Bigcartel store. They are also sold as PDFs on RPGNow with a delay of a few months.
Please note that your print order also makes you eligible for free PDF copies of your ordered items when they become available (should be a few months after the print edition). PDFs will be delivered via RPGNow to your regular e-mail address, unless you request otherwise.

How shipping works

I try to ship orders within a few days of receipt. I ship via the Hungarian Post, priority mail (there are no major price differences between priority and regular). The post uses the following weight ranges (one zine weighs about 90 grams, while a smaller module weighs 40-50 grams):
51 – 100 grams: Europe $3.5, Worldwide $4
101 – 250 grams:  Europe $5.8, Worldwide $6.6
251 – 500 grams: Europe $9.4, Worldwide $10.7
501 – 1000 grams: Europe $15.9, Worldwide $18.1

I package every zine in an envelope. For larger orders, I am packing the items in a larger, sturdier envelope that can safely fit around 8 zines. If you’d place a bulk order, we’ll probably need a cardboard box. Based on preliminary test mailings, priority mail takes a few days to reach most European addresses, and approximately 10-12 days to arrive in the USA. If your package arrives damaged, please contact me at with a photo of the damage.

Thank You For Your Purchase!

Shipping times are subject to tropical storms, piracy, death, thermonuclear war, and acts of God.

Thank you for your payment. Your transaction has been completed, and a receipt for your purchase has been emailed to you. You may log into your account at to view details of this transaction.

I try to ship orders within a few days of receipt. Based on preliminary test mailings, priority mail takes a few days to reach European addresses, and 9-12 days to arrive in the USA. If your package arrives damaged, please contact me at with a photo of the damage.

Please note that your print order also makes you eligible for free PDF copies of your ordered items when they become available (should be a few months after the print edition). PDFs will be delivered via RPGNow to your regular e-mail address, unless you request otherwise.

* * *

(If you have come here from some other direction, you suddenly feel a sharp pain and hear maniacal laughter before it all grows dark. Too late, you realise you have made a mistake trusting that link. Your lifeless body falls on the floor of the deathtrap dungeon.)

Friday, 9 March 2018

[BLOG] Aid, Not Replacement

He trusted them
RPG books: what are they good for? The question has recently been raised multiple times; by Joseph Manola in a blog post, by noisms in a response to that blog post, and in several increasingly irate blog comments by Kent. Whether they were meant that way or not, all of these posts challenge a central notion of this blog – that role-playing publications should be rooted in actual play, and be designed very specifically with actual play in mind. My common challenge to the readers is “Do you even play?” (I am looking at you guys – this means YOU, Kent!), and I mean it – I have been beating this drum for more than a decade. Their challenge, on the other hand, is “Is your stuff even played?”, and whether it is a general or a specific ‘you’, they are right.

A lot of RPG books, play-oriented or not, are never used in play – at least not the way they are published. While I play regularly, I mostly run my own stuff, and use premade modules for one-offs and the occasional mini-campaign. I review modules with an emphasis on playability, but I sure don’t play most of them. I preach homebrewing and the DIY gospel, and yet I publish stuff for others (which they don’t play). Hoisted by my own petard! And right at the point when I’d venture out into the wild to publish a fanzine!

Nevertheless, while these fine people make good points (not just in describing the reality of the RPG scene, but also in describing how books are “mined” for inspiration, or used for vicarious entertainment), I do not believe I am in the wrong. Instead, I want to return to a slogan pioneered by T. Foster  Creativity aid, not creativity replacement” – and another one by Mythmere – “Imagine the hell out of it!” Of course, they were restating and refining a point originally made by Bob Bledsaw all the way back: “All within are merely inspiration for the active and pontifical judges of the guild. Please alter, illuminate, expand, modify, extrapolate, interpolate, shrink, and further manipulate all contained to suit the tenor of your campaign.”

These mottoes articulate something about the flexibility of good game materials. Every game table creates a distinct, individual experience, something completely contrary to the carefully designed and professionally produced, but homogenised mass entertainment of our age. Even if we are creating the same kind of tales, every group of us creates them slightly differently. This variety and human element can be a liability with bad players (which is why some games erroneously try to safeguard us from bad game experiences through limiting rules), but it is one of the big things about RPGs in good company. No professional design can replace the magical unpredictability of co-creation, even if awkward and imperfect. It cannot be reliably bottled and replicated. Worse, trying to accurately reconstruct a spontaneously unfolding campaign will result in a structure that is at once rigid (because it doesn’t admit group tampering) and fragile (because the wrong move can shatter it); one that lacks the temporal dimension of a gradually forming campaign, as well as its evolutionary quality. This is the reason early TSR didn’t believe in the idea of packaged modules (and renowned module author Rob Kuntz still doesn’t) until Wee Warriors and Judges Guild broke the ice.

And yet good RPG supplements undoubtedly exist. They are the ones which lead to memorable adventures, great campaigns, and the kind of war stories you remember even after the campaign has been over and the group has long dissolved. It is about the supplements which spur your creativity and engage with your imagination. The random hook that hijacks the campaign. Doing things differently from the written text is not a bug, it is a feature. Repurposing a supplement and doing an extensive reimagination is a sign of respect, not disrespect. Of course, good game books also have to be particular. They need to bring something interesting to the table that wouldn’t occur to the GM – a new frame of thinking, an aesthetic which was previously missing from the campaign, encounters slightly outside the group’s comfort zone. The best of them combine the two aspects: “Wow! I haven’t thought of that!” and then: “Now what if I added penguins?

Tomes of ancient wisdom or unwieldy junk?
Spurring creativity is tricky. It is a fine line to walk, somewhere between a complete blank slate that tells nothing and gives you nothing concrete (the proverbial pad of white paper you can scribble anything on), and a dense structure which provides all the details for you, but takes over and gives you a novel where you and your group are both reduced to passive observers. This is, precisely, where structure and form matter. There are many ways of being inspired – people are inspired by fluff books, written game reports and all kinds of odd things (I have mostly sworn off fantasy and get my ideas from a steady diet of nonfiction and the daily news) – but where actual table use is concerned, there is existing good practice and there is a whole lot of bad practice. For the latter, you only need to look at the output of the larger PF and 5e publishers – they may pass as interesting bog reading, but put them on the table, and they are a bloated, lumbering mess full of encounters which read well but play terribly. For the former, there are some well-tested standards (like the good old location key or the relationship map), and some promising experiments (like hypertexting or the layout thingamajigs a bunch of people are into), and while the rest can be fairly good for inspiration and ideas, they are not directly suitable for running a game. It is no accident old-schoolers running their own campaigns value good information design and an expressive terseness: this is an approach which works, and works very well.

And here is where the old-school scene (or movement, or whatever) comes in. Our primary mission is not to produce interesting bog reading – although it is a possible side-effect. Our mission is to cultivate a certain idea of playing and running games, to disseminate its practices, to inspire others and be inspired. It is a creative community built on the exchange of ideas; that is, it is centred on discussion. All the publishing that grew up around it is secondary, and if it fell into pieces today, we would still be here tomorrow. (This is also why I see clear dangers in the OSR’s move from a DIY-oriented landscape to a much more consumption-oriented one.) The blog posts, forum threads, shared practice and, yes, supplements are part of that conversation, even if they are not immediately put to use. The goal is to let us improve our own games (which can mean different things for different people), and share our ideas with others so they might improve their own. This is our call to arms.

When it comes to actually publishing something, play-relevant, properly playtested supplements are key, because they spread the ideas of good gaming, and they have stood the test of table use. It works in the reverse direction, too: bad RPG books encourage dull play, inhibit creativity, and reduce us to passive consumers. Publishers can get away with it and even thrive for a while, but it will create a moribund gameing scene which will stagnate and eventually wither away (case in point, much of the Hungarian gaming scene). It matters to those of us who play! We should have safeguards against that happening. First and foremost, we should play, because that’s where the core of the hobby is. Second, we should discuss play: this is where a lot of things from forums to blogs to G+ come in. Third, we should support play: and support it with useable, well-thought-out, accessible materials, which do not fill in all the blanks, but support others in running their campaigns or trying interesting one-shots. Fourth, there is no fourth point. That’s all we need.

Have old-school products served their purpose in reintroducing a certain idea of playing and designing RPGs, and exploring the directions they can be taken? In a sense, yes. There is not much to be gained from another Swords & Wizardry, and perhaps not much more from a new restatement of Keep on the Borderlands (unless it is done in a particularly insightful way by someone who really gets it!), even if they will continue to inspire newer and newer home games across generations and editions. But – as it is evident from the state of gaming discourse beyond our small thought bubble, and from the quality of even many ostensible old-school products – there is still much to be done in doing interesting new things with our ideas, and spreading them through well-written and useful products which help, not replace or obstruct.

Finally, another point: sometimes good ideas have to be reiterated to remind us and let us refocus on what matters to us, or for the sake of new people. And this brings us back to the raison d’être of – no, not game products this time – old-school gaming itself.