Wednesday, 16 May 2018

[REVIEW] The Arwich Grinder

The Arwich Grinder (2014)
by Daniel J. Bishop
Published in Crawl! #9 by Straycouches Press
0-level funnel

Something has gone terribly wrong up in them hills where the Curwen family has lived in their homestead for several generations, and young Bessie Curwen’s bonnet has been found in the possession of an odd beast that lumbers into the village inn and drops dead before the assembled patrons. The reclusive and tight-knit Curwens had saved the village from starvation two winters ago, so it’s time to return the favour. A group of brave volunteers is assembled to venture up into the dark woods and see what’s up at the Curwens’ lucrative pig farm.

To everybody’s surprise, it wasn’t pig after all.

Warning: cover spoils module theme and final encounter

This funnel adventure – filling a full issue of Crawl! fanzine – is a gruesome one-shot combining Lovecraftian themes with a hilarious amount of gore. There are no surprises as far as the module’s themes are concerned – yup, the backwoods rustics are up to no good, and they are right in the middle of doing something really bad when the adventurers show up. However, as something you get into with full foreknowledge of walking into the jaws of a deadly trap, it is remarkably well made. Perhaps the horror does not lie in the familiar (and by now almost cozy) horror trappings, but in the vulnerability and disposability of 0-level characters. When you are at three hit points, the axe maniac coming at you suddenly takes on a more grave than usual significance.

This is something The Arwich Grinder shines at. Low-level D&D’s lethality makes it hard to design for, since an unlucky hit can kill a character, and a few unlucky hits can decimate a party and either stop their progress outright or trap them in hostile territory. However, if you softball it, you kind of lose the excitement of rolling that d20. This module is somewhere in that middle spot, even if a few of the encounters end up under-statted (including the bad guys right at the end).

Something else that works well here is the way the scenario builds towards its conclusion. It is not a railroad, and you can actually get around the Curwens’ place in multiple different ways, but any way you go, you will start from smaller hints of something being dreadfully wrong to very obvious signs of something, indeed, being gosh-darned wrong. There is a clear element of progression from the family homestead (exploration-oriented, few encounters, not terribly dangerous as long as you don’t disregard obvious hints) through the Curwens’ underground tunnels (a combination of exploration and action, multiple instances of combat and traps) to even deeper caverns (where things turn nasty). This is what makes the scenario nicely Lovecraftian. You know you are getting into something bad, and lo, you are getting into something bad. There are big, dark things lurking under the earth. Old families conceal terrible secrets. If you look too closely at things, you might find more than you’d bargained for. Never trust people of inferior racial stock. That’s Lovecraft. The rest is equally good, including one of the best GM takedowns of meta-gaming players, a few suitably dark magic items, and the Curwens, who are fun to take down, and have a few tricks up their sleeves.

The encounters are short and essential. The entire module is well-written, and fits the 27-area farmstead and 15-area dungeon into a 24-page booklet (set in a generous font size). It is right at the level where bits of descriptive detail carry the tone, without suffering from under- or overwriting. The illustrations are cool (and the cover is great great GREAT, one of the best I have seen in recent years). This is a good adventure.

The module credits its playtesters.

Rating: **** / *****

Wednesday, 9 May 2018

[MODULE] The Barbarian King

The Barbarian King

I am happy to announce the publication of the revised edition of The Barbarian King. A 20-page adventure module for 4th to 6th level player characters, The Barbarian King pits the company against the ruined empire of the mountain barbarians... and the evil that still slumbers therein! This gloomy wilderness and dungeon scenario features deals with malevolent and ultra-powerful spirits, the burial places of a now defeated people, shadowy hosts and deadly traps. As the introduction goes:

Beyond the border city of Velft where the legion of General José Antonio Balazán upholds the law, the great eastern trading route leaves civilisation. After the ploughed fields of the townlands and the small villages and guard towers of the valleys stand endless mountain ranges, cold and unforgiving.

These harsh wastelands were once the domain of the Barbarian King, whose men bowed before animalistic spirits and fought with weapons of brass. In their raids, they showed no mercy: not consent with pillaging, they took their victims as slaves or killed them when they could. So it was until the death of the king, after which men in mail came from the plains, and as their foes once, they had no pity for those they met.

Today, there is a fortress city named Castle Evening on the lands where the barbarians had roamed, and barges plow their once holy lake. The initial conquerors, the knighthoods of Alliria and Mitra, were eventually defeated by the fanatical inquisitor-priests of Talorn; shamefully exiled from the land of their hard-won victories. The abundant mines and rich pastures have since transformed the wilderness into something else, a place of order and watchful sentries. Yet beyond the lands of the settlers, the mountains are silent as they had always been. And it is said, in a valley haunted by the shades of the barbarian warriors, there stands yet the burial place of that last warlord: the Barbarian King.

First published in 2002 as a standalone mini-module and in 2011 in an expanded version in Fight On! magazine, The Barbarian King has seen quite a lot of play in those sixteen years (and held up rather well at the table). It has been disassembled, reassembled, bootlegged on the DM’s Guild (no kidding) and put back together again. This edition has been re-edited for easy use, and includes illustrations by Matthew Ray (who also did the cover art), Stefan Poag and Denis McCarthy.

The Barbarian King is available from the new SHOP. (The reason for the switch was to allow people to buy more than one products at once, which is harder with Paypal buttons. Bigcartel has been used by other zine creators, and seems to be a good platform.)

Please note that your print order also makes you eligible for free PDF copies of your ordered items when they become available (should be a few months after the print edition). PDFs will be delivered via RPGNow to your regular e-mail address, unless you request otherwise.


In other news: Echoes From Fomalhaut #01 is now available in PDF from RPGNow! This edition also includes a map pack for home printing.
Echoes #02 is now almost fully written, and undergoing proofreading. With art orders and my day job taken into account, it has a good chance to come out mid-June. Remember the map from Issue #01? There will be a double-sided one in this one!

Until then…

Fight On!

Tuesday, 8 May 2018

[REVIEW] Masks of Lankhmar

Masks of Lankhmar (2015)
by Michael Curtis
Published by Goodman Games
1st level

Warning: Severe ending spoilers
Heists are hard to capture in the form of a D&D module. A party of adventurers is usually not well equipped with the skills to pull off a smooth, silent burglary; someone is inevitably too loud, too clumsy, or there are just too many people in the way. City-based heists also have many variables which can lead to unpredictable cascading events, or branch off in ways you can’t fully cover in the scenario without making it bloated and unmanageable. In play, this calls for a loose interpretation of the rules; and in writing, compromises between text and suggestion, written module and improvisation. When D&D thievery works, it is exhilarating, fun, and full of unlikely victories and dramatic reversals.

Masks of Lankhmar, introductory module to Goodman Games’ yet-unpublished Lankhmar supplement, errs on the side of being a sweet slice of nothing. There is a superb plot in the background that’d make for a hell of a Leiber story: it has intrigue, dark irony, urban gloom and a hokey ending that’s completely Leiberesque, but there is not much of an adventure inside it. It evokes something from what makes Lankhmar so fascinating, but it is limited as an RPG scenario.

A Map Illustrating
the Problem
Briefly, Masks follows the fate of a long-gone religious order who have left behind a bunch of valuable masks… and the characters stumble on their trail in a heist gone bad. Thus, the module is divided into an in medias res beginning (an interrupted burglary in the mansion of a rich magnate), an intermission for information gathering, the recovery of the masks in the order’s now crumbling (but hardly vacant) temple, and finally the denouement. It is mostly a railroad in the segments covered in detail. There are branches here and there in how the players can get through a problem (such as escaping the magnate’s manor), but the action usually takes place in small physical locales where you either can’t go anywhere but forward, or you can go places but only forward matters (since the scenario doesn’t cover the other places). There are no side areas, no alternate approaches, no unlikely discoveries, and the progression of events is mostly preordained. The beginning heist is a linear sequence of five encounters taking place in three small rooms, followed by an escape with three alternative paths through a not much larger location. The main adventure area is a complex place, but only one encounter (to get through all the complex scenery which barely plays a role), followed by seven sequential encounters on the Adventure Express.

Masks of Lankhmar, ironically, becomes the most interesting in the areas it does not try to cover. Following the trail of the initial clues can be fun and open-ended if the GM drags it out a little, and the multiple ending possibilities tie up the heist in ways that establish the characters’ standing with different city factions, and lead to interesting new adventures. There are proper consequences to the players’ actions! It also shows evidence of imagination in the rooms and situations it sets up. Golden masks glittering through the funereal shrouds of the dead. A posh party thrown by an upstart who wants to get into high society. The Thieves’ Guild trailing the characters. A slum tenement filled with the dregs of society. Lankhmar’s soot and filth, glamour and decadence are all on display, and some of the encounters are pretty good – although in a severely lacking structure which inhibits the players in properly interacting with them.

The module serves its purpose of getting the characters together (in Lankhmar RPG terms, this is called “the Meet”) and launching a campaign. On the other hand, it is small and very limited in scope, while simultaneously feeling overwritten, with the boxed text and background information overwhelming the action. I don’t usually review production values (life and experience have left me bitter and cynical in this regard), but this booklet’s layout bothered me. Nothing wrong with the two-column solution, but leaving in orphans and stat blocks which necessitate page flipping is lazy, especially for a pro publisher.

I vacillated on Masks of Lankhmar’s rating, and gave it three stars on the strength of its imagery, and its evocation of mood. However, taken on its own – pure gameplay – it is severely lacking. Decision-making is superficial, player agency is mostly illusory. Of course, not every module has to have the same level of player agency, but this felt unnecessarily stifling. The same general storyline could be reconstructed as a much more open adventure, and re-written as a more efficient yet equally expressive piece of writing. There is a philosophy which suggests intro adventures should be small and unassuming, while explaining everything to the GM in detail. Personally, I’d rather see the exact opposite: intro adventures which offer GM advice economically, and offer the full, complex game experience in a newbie-friendly package.

The adventure credits its playtesters, and it had been through play on three conventions.

Rating: *** / *****

Tuesday, 1 May 2018

[NEWS] The Barbarian King (revised edition) / Echoes From Fomalhaut #02

Cover art by Matthew Ray
I am happy to announce the forthcoming publication of the revised edition of The Barbarian King. A 20-page adventure module for 4th to 6th level player characters, The Barbarian King pits the company against the ruined empire of the mountain barbarians... and the evil that still slumbers therein! This gloomy wilderness and dungeon scenario features deals with malevolent and ultra-powerful spirits, the burial places of a now defeated people, shadowy hosts and deadly traps. 

First published in 2002 as a standalone mini-module and in 2011 in an expanded version in Fight On! magazine, The Barbarian King has seen quite a lot of play in those sixteen years (and held up rather well at the table). This edition has been re-edited for easy use, and includes illustrations by Matthew Ray (who also did the cover art seen to the left), Stefan Poag and Denis McCarthy. It will be available in print in May, and in PDF with a few months’ delay, at a price of $6 plus shipping. 

Echoes From Fomalhaut #02 is now almost fully written, and undergoing proofreading (you should see how many tiny errors I catch before releasing something still riddled with a whole lot of tiny errors). With art orders taken into account, it has a good chance to come out mid-June. Remember the map from Issue #01? There will be a double-sided one in this one!

City State of the Invincible Typographical Error

Friday, 27 April 2018

[BLOG] The Rustic Monster Hunter Campaign (Concept)

Your bog standard podunk fantasy barony is menaced by monsters. The goblins are stealing the chickens, the werewolves are eyeing the chicks, you can’t go visit Uncle Rufus in the graveyard over the hill without him repaying the visit, orcs are plundering the merchant caravans, and there are rumours of a doom of wyverns nesting in the Raewynskill (the big dark forest to the north, a ways away). Heroes are needed to save the day! Unfortunately, the heroes are all busy saving the day for more important people, or they are just doing their stuff somewhere else. What you get instead are mercenary monster hunters. So the villagers/townsfolk grit their teeth, pool their money, and establish a common fund to finance monster hunting. Good luck, the campaign is on.

This is a low level campaign framework inspired by a discussion on LFG.HU (link in Hungarian), David Pignedoli’s Black Dogs fanzine (also about a monster hunting company, but more gritty and mediaeval), the DCC funnel, my old domain management campaigns, and of course the wilderness clearing concepts from various versions of D&D. It is basically low-level D&D where you grow a character pool instead of one or two main PCs. Here is how it works.

The GM creates a small wilderness sandbox, and seeds it very liberally with monsters and small adventure sites. Go over the top with low-level monsters, they should be lurking behind every tree. You could use any generic fantasy setting to run the campaign. Perhaps it even needs to be utterly generic, you just need a home base village (or small town), and a bunch of interesting terrain and landmarks around it. Something like 4e’s Nentir Vale would do – why not? (Or you can use The Stoneheart Valley, the classic Necromancer Games wilderness romp. Or you can easily make your own.) Then, monster lairs – the kind of not terribly ambitious mini-dungeons you can find on the net by the dozens, or just make up on your own. Be generous. Keep it deadly for low-level groups.

The Nentir Vale
The big limitation is on the character side. This is a low-scale campaign. Not even E6-style. You will each be playing low-level fighters rolled with the 3d6 in order method, or more like a growing roster of them. Every player starts with one 1st level guy (or gal – the villagers don’t really care) down on his luck, and these guys can band together to go on expeditions to claim bounties posted on the tavern wall, or announced by the town crier. Your first character – and replacements – are free. You must hire the rest out of the gp budget you raise by killing monsters, and you must also pay to train up your guys to higher levels. It is a bit like a pyramid scheme for adventurers. Adventures take place on a weekly basis, the rest being spent carousing, wooing lasses, making a fool of yourself and getting into local trouble.

For example: Claude, Jehan and Karl go on an expedition against the orcs. They plunder a small tower which is an advance orc outpost, but they are beset by giant spiders in the cellar, and Karl goes down, stone cold dead. However, the other two survive, and now they have enough money to pay for a month’s upkeep and hire a few more first-level guys to go out with. Next week, Player A keeps Claude, and hires Sarah and Fred. Player B makes Jehan stay at home (he has good stats, and he’d rather not lose them) while he hires Lefty, Hank and Little Tim. Player C is stuck with a new entry-level guy he names Bullfrog Bill. They head out for the orcish keep.

Finally, a use for all those maps
Remember, it is the bounties that matter. If you just kill something randomly, the villagers may or may not care (you could give it a 1:6 probability of a halved “pity fee”). Everyone is interested in The Orc Problem, and The Giant Rats Down the Cellar (you thought you would be rid of them by now? Think again!), while the Raewynskill wyverns and Sir Otto’s Undead Keep are probably distant concerns, for now (as long as the wyverns only carry off the odd cow, and not the mayor’s niece).

You are not running real adventurers, more like a growing band of disposable miscreants. Beyond the funds for training, you need to keep up a number of troops to support higher-level characters. You first have to raise a stable of ten mercenaries before you can promote one to second level status, and at least 50 to raise an elite leader (4th level, this could be a party-based limit). Perhaps you can only have one of those guys. Perhaps special classes (in this case, non-fighters) are also available, but proportionally more expensive. You need twice as much for a ranger or a thief, and three times as much for a cleric (magic-users are all NPCs in this campaign… although you could persuade one to join your team on a special errand). You need to keep the mercenary ecosystem going or your guys will just pack up and look for trouble elsewhere in the kingdom, or marry the innkeeper’s daughter and settle down.

Another fine map by Mike Schley
Gradually, you work your way up to try larger targets with a whole bunch of disposable mercenaries led by your precious few 2nd and 3rd level guys (who are almost heroes by now). There can be all kinds of complications: a bunch of do-gooders show up to ruin your business by killing monsters for free. A sinister merchant offers to rent some monsters which are trained to run away for you and let you triumph easily… for a small price. There is a fair and you can use those jousting rules from Chainmail. Some of the monsters finally have enough and band together to protect themselves from The Mercenary Problem. The local landlord decides that what the villagers do with their money is their business, but treasures found in his lands should be subject to proper taxation. And so on.

You could actually also use this structure to play out a peasant uprising, except with the bourgeoisie corrupt landlords and evil barons instead of the monsters, Robin Hood and company style.

Tuesday, 17 April 2018

[REVIEW] The Red Prophet Rises

The Red Prophet Rises (2018)
by Aaron Fairbrook (Malrex) and Prince of Nothing
Published by The Merciless Merchants
3rd to 5th level

The Red Prophet Rises
There are probably more good sword&sorcery rulesets than there are good sword&sorcery adventure modules. You can try it yourself, and the list in the left column will be longer than the one in the right. After a lot of hullaballoo about D&D’s pulp fantasy roots, and the importance of reading the “Appendix N” books to truly understand where Gary and friends were coming from, we still get more lip service in this area than the actual good stuff. S&S-style modules either miss something essential from the genre ingredients (most of them are just regular ol’ D&D with a thin S&S veneer), or – almost as often – they work better as stories than complex, open-ended game scenarios. It is a sad state of affairs. This review is about an exception.

The big thing about The Red Prophet Rises is that it does three things very well. It taps into the earnest violence of the genre, it presents an interesting situation offering a variety of in-game approaches in a complex, dynamic environment, and it is written in a way that combines functionality with flavour (proving once and for all that the two can be reconciled). Here is why it is great.

This is a module that takes one of the things sword&sorcery is famous for – unflinching brutality in barren, hostile natural environments – and sticks to its theme with both talent and consistency. Now, this is not “all” S&S is about, but it is S&S at its most recognisable – Frazetta, Brom, Conan (the movie version), buff people in S&M gear with horned helmets, butchery and raw violence. The module is set in a series of canyons in the middle of a rocky wasteland, as well as a series of caverns off to the sides. This unpleasant place is currently inhabited by a crazed cult of plainsmen engaged in a frenzy of killing, feasting and drugged orgies, awaiting the opening of their new paradise foretold by Khazra, their new prophet. It is the good stuff, and where the D&Disms creep in, they are handled in a way that doesn’t diminish the vision of this bloody spectacle.

There is a visceral quality to the writing which creates a great sense of place. You can smell the fires and smoke, hear the nomads carousing as they gorge themselves on charred rabbit by their fire pits, hear the brutal overseers bellow with whips in their hands, and feel the chaos as livestock runs wild among the plainsmen. There is blood, dust, an arena of death with a great throne above it, something called The Pit of Despair (hell yes!), a temple of blood, and living quarters carved into the rocks.  There is something feverish about the bacchanalian festivities in this wasteland hellhole, part the drugged orgy of the snake-cult from Conan the Barbarian, part the raiders from Mad Max 2 (Khazra and his underlings are basically Lord Humungus and his psycho bikers). This kind of thing hasn’t really been done before in old-school D&D modules.

Best of all, The Red Prophet Rises is an actually well-designed adventure scenario. The canyons and the surrounding caverns serve as a complex, dynamic environment which operates under its own logic and rules. As a dungeon (it is a dungeon kind of the same way Steading of the Hill Giant Chief is a dungeon), it is a dangerous cul-de-sac where it is much easier to get in than to get out, not to mention it is packed to the gills with frenzied marauders out for blood, run by two distracted but fairly wily leaders. However, it is also a sufficiently chaotic and busy place that a party of adventurers can come up with any number of plans to infiltrate it and accomplish whatever they came for (by default, the module was written for a paladin to find his special mount). There are great opportunities for strategy, underpinned by a fairly simple, yet reasonably believable timetable to determine what the cultists are doing any specific time of the day, robust encounter tables to complicate things (lots of hidden agendas and odd personalities in this camp of misfits), and notes on tactics to determine the inhabitants’ reactions when the party inevitably mess up.

The care also shows in the encounter design. Most locations on the key have their own, small-scale encounter dynamic or conflict going on, which can impact the way the scenario unfolds in multiple ways. There are hard decisions, surprises that call for quick thinking and improvisation, and there are also opportunities to seize, allies to find and hidden enmities to exploit. Getting into parts of the canyon system through social engineering, stealth, disguise, or a (potentially suicidal, although surely awesome) frontal assault can be a challenge by itself. The design really rewards groups who can think on their feet and move with the flow – there may even be ways to keep the action moving if the party’s cover is blown and they find themselves surrounded by a small army of armed killers. There is also good exploration, which puts the focus on being observant and imaginative rather than repeating rote dungeon routines (this is also the case for finding the magic items, which are almost all interesting new items with non-standard capabilities).

There is a second level to the module, in the same way In Search of Unknown has a second level – of course it does, but you tend to gloss over it because while it is not bad, it is superfluous. It does not really add to the experience, and it might even distract from the brutal revelry of the barbarian camp one level higher. The infiltration of an unholy yet living place gives way to more straightforward dungeon fare in a mostly abandoned environment, one that is altogether more in the vein of high-level D&D than the grim chaos of the canyon encampment. There is less to do, there are fewer ways to do it, and it is fairly disconnected from the things going up above ground (even in the physical sense). Finally, this dungeon level ends up revealing some of the mysteries behind the canyon and its holy site, and as it so often happens, we are better off not knowing – something raw and powerful is lost once things are made too literal, and we have an explanation instead of a hunch. I would just cut the whole thing (including area 27 on level 1) and reuse it elsewhere – it would work as a standalone mini-dungeon with some fairly cool obsidian-centric monsters and traps.

The Red Prophet Rises features good, effective writing, the kind I would like to see more often in game products. It is economic, and written to help the GM, but it is not a dry, soulless technical text. It is expressive without wasting words, giving you just the right kind of impressions to get the idea. “A brute with arms covered in ritual scars whips and brutalizes a bleeding and injured man kneeling on the ground”, or “The walls of the cavern are decorated with a variety of weapons, shields, and tapestries depicting lurid scenes of sacrifice, murder and war. Red curtains frame a throne of carved stone (…)”. Location information is broken down into a bullet point list, giving you more specific details after establishing the general scene. Helpful tables and side bars contain additional information. The booklet is well-edited; the information you need is placed at your fingertips, or you receive helpful references to help running the game. This is the kind of polish you don’t tend to notice consciously, but it makes a difference at the table. There is a monster cheat sheet.

The Red Prophet Rises is one of the pleasant surprises of the year. It holds up well any way I look at it, and achieves such a high level of overall polish that it sets a good standard to look up to and learn from. Furthermore, it is one of the rare sword&sorcery modules which combines a great understanding of the genre with the considerations of a fantasy RPG. As I argued above, the module does not really need its second level, and I would recommend just omitting it in play. Sure, you’d miss nine pages of fairly good stuff (in the three or lower four star range), but you are left with about 20 or so pages of pitch-perfect material, and that’s the real treasure.

No playtesters have been listed for this publication, but multiple signs point at it having been playtested.

Rating: ***** / *****

Tuesday, 3 April 2018

[REVIEW] City Backdrop: Languard

City Backdrop: Languard (2018)
by Creighton Broadhurst
Published by Raging Swan Press
City supplement

Yes, that's the cover
Languard is one in a long series of system-neutral supplements released by Raging Swan Press. The 24-page booklet contains no game statistics except NPC alignment and class and level designations, but the content is obviously meant for use with D&D and its various offshoots – the main audience seems to be 5th edition players.

Here is a coastal city with its aristocracy, merchants, gates and wharves; realistic in tone with many shades of grey. It is right there in the middle between idealised fantasy feudalism and the grim urban hellholes where you will get mugged going out for a beer, twice. The streets are muddy and the city’s enemies are displayed on the parapets of Traitor’s Gate, but it is not a bad place to visit. The feeling is distinctly North European (most everyone has a Finnish name), with maybe a little bit of London thrown in. It is fairly lawful and organised, except for the Shambles, the run-down part where the poor live; the Fishshambles, which is the same but on the waterfront, and the Wrecks, a maze of rotting boats moored along the river, which has its own pariah group, the slightly fishy Takolen.

The guidebook first describes the city in the general, then location by location. It is potentially useful information – you learn how to get into and out of the city, who are the main power groups and religions, and there are a lot of adventure hooks, rumours and minor event tables along the way. The important locations are summed up across the map on a one-page spread, and there are text boxes throughout the supplement to help you with useful references. There are two maps, one keyed for the GM and one unlabelled for the players.

Languard does not go too deep into the fantastic, although it has its thieves, assassins and evil cults. Depending on what you value in your games, this can make it appealing or uninteresting. It gives you an internally consistent place with its own power dynamics, and the feel of an up-and-coming mercantile city. But it is mostly about the regular things, the society with its power dynamics and stock characters, not the strange edge cases. That is, you can meet your favourite “nondescript men in cloaks” on the waterfront, get in trouble with the Duke’s men, and hear rumours about a haunted building, but it is the kind of fantasy you expect to be there, not the kind that makes you jump. It would be more surprising if there was no murderous cult and Low Market wasn’t a den of thievery. The Duke, he is not the Duke of New York. Likewise, sometimes it feels too much like window dressing and not like material for adventures. Some of the random events are things like the sounds of an argument, or a weary peasant in a crowd carrying a sack over his shoulder. Part of the city experience? Absolutely. Useful for creating adventures? Only if you imbue them with your own meaning.

There are no surprises here, although all the middle-of-the-road stuff is well executed. It is not overwritten, and it serves its purpose. It is perhaps too low-key for its own good. Could Languard be the most True Neutral RPG supplement?

No playtesters have been listed for this publication.

Rating: *** / *****